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Eva Fàbregas, Picture yourself as a block of melting butter, Fundació Joan Miró, Barcelona ES, 2017
Eva Fàbregas, Picture yourself as a block of melting butter, Fundació Joan Miró, Barcelona ES, 2017


Eva Fàbregas

21 until 25 February 2018

Madrid, Spain

Eva Fàbregas and Tenderpixel present a selection of sculptures and drawings as part of ARCOmadrid’s FUTURE section. These pieces represent a clear continuation and evolution of the works Fàbregas developed as part of her solo exhibition at Fundació Joan Miró, Barcelona in 2017. The playful and tactile objects invite visitors to engage with them directly, use them and inhabit them. They organise the bodies of the audience, while also creating links in between spaces through a kind of spatial freedom and agency.     

In her work, Fàbregas explores the eroticism of consumer objects and the engineering of desire, across sculpture and video, installation and sound. This ongoing interest in affects, emotions and desire towards matter and objects has led her to produce work that addresses issues such as the culture of wellness and relaxation, psychodrama and market-oriented research, as well as online therapeutic subcultures.              

Her practice deals with these forms of somatic experimentation by engaging with the medium of sculpture in ways that involve both affective and performative dimensions. This new body of work takes inspiration from those places where wellness is consumed on a daily basis (health resorts, saunas, yoga gyms, biotherapy centres, swimming pools). It takes the form of sculptural objects and immersive installations which are meant to allow desire to flow in all directions, blurring the boundaries between organic and inorganic, natural and artificial realms.                     

These works challenge the medium of sculpture by infiltrating it with immaterial practices such as performative exercises and somatic/affective experiences, which are aimed to induce mental states and produce specific effects on the body. Spectators are therefore invited to directly engage with the sculptural objects, in order to – almost literally – inhabit them. Her installations interrogate the boundaries between subject and object, human and nonhuman, while making it possible for viewers to visualize themselves melting with the materiality of the sculptures, turning into a piece of chewing gum, or taking an imaginary stroll through an automatic car wash.                


ARCOmadrid's FUTURE section was curated by Chus Martínez with co-curators Rosa Lleó and Elise Lammer.

* Hal Foster, ‘Real Fictions’, Artforum, April 2017


Event Schedule

3.00 – 4.10pm, Screening Programme 
Héloïse Delègue, Beverley Gadsden, Varvara Shavrova, Marios Stamatis, Joseph Steele, Emily Willey, Johanne Wort

4.30 – 6.40pm, Guest Contributors
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4.30 – 5.00pm, Ellen Kenyon Peers, 'Ana Key is Imagining Utopian Futures: Can art be used as a tool for change in contemporary politics?’
5 – 5.30pm, Emily Rosamond, 'Distortions'
5.30 – 6pm, Simone Rowat,' Forensic Aesthetics'
6.00 – 6.10pm, Guest Film Screening, Joey Holder, ‘Adcredo’ (2018)
6.10 – 6.40pm, Q&A 

7 – 9pm, Private View
8 – 8.10pm, Performance, Paul Gaudet, 'A Glimpse Inside (Introducing Darren Reeves)', Performed by Darren Reeves (2018)
Exhibiting Artists, Héloïse Delègue, Beverley Gadsden, Paul Gaudet, Samantha Greer, Parinot Kunakornwong, Norman Mine, Denis Mortell, Miriam Naeh, Serkan Sarier, Varvara Shavrova, Marios Stamatis, Joseph Steele, Emily Willey, Johanne Wort


Conspiracy of the Real: Artistic Perspectives in a Post-Truth Climate was developed by:
Paul Chapellier, Héloïse Delègue, Saskia Fischer, Beverley Gadsden, Paul Gaudet, Samantha Greer, Parinot Kunakornwong, James Low, Norman Mine, Denis Mortell, Miriam Naeh, Phillip Reeves, Serkan Sarier, Varvara Shavrova, Marios Stamatis, Joseph Steele, Emily Willey, Johanne Wort. Project supervision by: Kate Pickering and Sam Plagerson. Special thanks to Michael Newman and Borbála Soós. Produced in collaboration with Tenderpixel and the MFA Fine Art programme at Goldsmiths College. 

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Eva Fàbregas (b 1988, Barcelona ES) lives and works in London UK. She completed an MA in Fine Art from Chelsea College of Art and Design, London UK in 2013.

Recent solo and duo exhibitions include Picture yourself as a block of melting butter, Fundació Miró, Barcelona ES (2017); Systems for displaying matter, Enclave, London UK (2016); The stuff that surrounds us, José de la Fuente, Santander ES (2016); How are you feeling today?, Window Space (Whitechapel), London UK (2015); Unforeseen changes, The Green Parrot, Barcelona ES (2014); Eva Fàbregas & Andrew Lacon, Kunstraum, London UK (2014); Homeless abstraction, Plazaplaza, London UK (2013); A Possible form, Espai Cultural Caja Madrid, Barcelona ES (2012) and Catalogue, La Capella, Barcelona ES (2011).

Selected group shows and screenings include First Act: Smooth Operations, Laure Genillard Gallery, London UK (2017-2018); Scissors cut paper wrap stone, Ormoston House, Limerick IR (2017) West Cork Center, Cork IR (2017)and CCA Derry~Londonderry IR (2016); Eyecatcher, Big Screen Southend, Focal Point Gallery, Southend-on-Sea UK (2017); Ephemeral, Swab art fair, Barcelona ES (2017); The Role of Unintended consequences, Syndicate, Cologne DE (2016); Domestic taxonomies, Enclave, London UK (2016); Teesside world exposition of art and technology, MIMA, Middlesbrough UK (2016); Soft control, Embassy Gallery, Edinburgh UK (2016); Projective ornament, García Galería, Madrid ES (2016); Generación, La Casa Encendida, Madrid ES (2016); Hotfixes, Avalanche, London UK (2015); 9th Biennal Leandre Cristòfol, La Panera, Lleida ES (2015); Abandoned futures, Fabra i Coats Centre Art Contemporani, Barcelona ES (2014); Hidden modernity, Casa Capell, Mataró ES (2013); Honeymoon, Triangle Space, London UK (2013); Study Case, Can Felipa Arts Visuals, Barcelona ES (2013); Injuve, Matadero, Madrid ES (2012) and Itinerarios, Fundación Botín, Santander ES (2012).

Upcoming exhibitions include The Flutch, Sala de Arte Joven, Madrid ES (2018); Regreso al Futuro, La Casa Encendida, Madrid ES (2018); Mapamundistas, Ciudadela, Pamplona ES (2018) and a solo exhibition at Kunstverein München, Munich DE (2018).

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