Breaking Point explores the meta and microcosmic synthesis of computer-creativity, mathematics, optics, art history and painting. It relates to riots, tear gas and general societal conflicts within a landscape. At any given point in society when equality or injustice reaches a certain point there is a universal language or action that occurs. This exhibition references many of the global protests that have been documented within the contemporary mediascape.
Surrounding the concept of a breakthrough in society as well as the moment at which a painting is broken apart and what that signifies when thinking about 'process painting'. Ilfeld and Ayotte's creative process incorporates Stephen Wolfram's New Kind of Science methodology by testing aesthetic-algorithms, and processing and juxtaposing media images unto 2-D Cellular Automata in Mathematica. Their production more closely resembles the futurist paintings of David Bomberg or Giacomo Balla than the process painting and conceptual framework from which they are derived. As a result, their work is 'neo-futurist'. The machine becomes an integral element of the creative process itself, and generates the emergence of artistic modes that would have been impossible prior to computer technology.
* Hal Foster, ‘Real Fictions’, Artforum, April 2017
3.00 – 4.10pm, Screening Programme
FREE, ALL WELCOME
Héloïse Delègue, Beverley Gadsden, Varvara Shavrova, Marios Stamatis, Joseph Steele, Emily Willey, Johanne Wort
4.30 – 6.40pm, Guest Contributors
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4.30 – 5.00pm, Ellen Kenyon Peers, 'Ana Key is Imagining Utopian Futures: Can art be used as a tool for change in contemporary politics?’
5 – 5.30pm, Emily Rosamond, 'Distortions'
5.30 – 6pm, Simone Rowat,' Forensic Aesthetics'
6.00 – 6.10pm, Guest Film Screening, Joey Holder, ‘Adcredo’ (2018)
6.10 – 6.40pm, Q&A
7 – 9pm, Private View
FREE, ALL WELCOME
8 – 8.10pm, Performance, Paul Gaudet, 'A Glimpse Inside (Introducing Darren Reeves)', Performed by Darren Reeves (2018)
Exhibiting Artists, Héloïse Delègue, Beverley Gadsden, Paul Gaudet, Samantha Greer, Parinot Kunakornwong, Norman Mine, Denis Mortell, Miriam Naeh, Serkan Sarier, Varvara Shavrova, Marios Stamatis, Joseph Steele, Emily Willey, Johanne Wort
Conspiracy of the Real: Artistic Perspectives in a Post-Truth Climate was developed by:
Paul Chapellier, Héloïse Delègue, Saskia Fischer, Beverley Gadsden, Paul Gaudet, Samantha Greer, Parinot Kunakornwong, James Low, Norman Mine, Denis Mortell, Miriam Naeh, Phillip Reeves, Serkan Sarier, Varvara Shavrova, Marios Stamatis, Joseph Steele, Emily Willey, Johanne Wort. Project supervision by: Kate Pickering and Sam Plagerson. Special thanks to Michael Newman and Borbála Soós. Produced in collaboration with Tenderpixel and the MFA Fine Art programme at Goldsmiths College.
Etan Ilfeld double majored in mathematics and physics at Stanford University, and has since added to his eclectic education a masters in film studies from the University of Southern California, and a masters in interactive media from Goldsmiths, University of London. Ilfeld is the founder of Tenderpixel Gallery, a cutting-edge idea-driven contemporary art gallery. He is particularly interested in the intersections of art, technology and media. Ilfeld's movie-generating New Kind of Cinema programme also utilises 2-D Cellular Automata and has recently been featured and archived in Rhizome's ArtBase: New Kind of Cinema at Rhizome.org.
Eric Ayotte is based in New York City. Recent work has been shown in Paris (Gallery Suty, 2007), New York (White Box Gallery, 2007; WORK Gallery, 2009) and California (Rock Paper Scissors Gallery 2008). Eric is a graduate of Rhode Island School of Design (BFA 2002) and Goldsmiths College University of London (PGDip 2003, MFA 2007).
We are grateful for the support of: